string swells with kontakt factory library

#String swells with kontakt factory library update#
#String swells with kontakt factory library pro#

We find adding about 25% to your wet libraries and 65% to your dry libraries will work fine. This library is recorded in a fairly dry but beautiful sounding space, with great mics and pres, so you can use the two onboard reverbs to adjust the sound to more closely match your existing palette. Most film scores contain orchestral material recorded in different locations. Will Orchestral Swarm blend with more ambient Spitfire libraries? A library like this is also a great textural tool to mix in with your existing libraries to add fascinating detail. It will give your compositions a liquid dynamic that dances alongside the picture. There is a sweeping kinetic nature to this library and so it’s perfect for expansive panoramas, cityscapes and procedural sequences. Taking our Swarm approach, but adapted for the orchestra, it gives access to even greater detail by utilising the huge variety of articulations and playing styles of orchestral instruments, recorded at the famous British Grove Studios. What context is this library best used in? Orchestral Swarm enables this in a way that sounds graceful and intelligent, and it’s very easy to use. In this day and age, more and more is being demanded of us, and so the ability to create engaging, elegant and original music in an instant is what we all dream of. Join the pioneers of modern concert music and scoring to enter a new league of orchestral composition. If you tire of static sounding longs, or have fallen out of love with shorts ostinatos, this new textural approach to orchestral sampling will breathe new life into your arrangements. We then later returned to the studio to capture even more with the orchestra, including short notes and expanded techniques and layers, to create a comprehensive tool for media composers. Hans Zimmer and Radiohead even went on to use it as part of their “ (Ocean) Bloom” collaboration. We delivered an initial library quickly and in secret for the team at Bleeding Fingers to use exclusively for the show. This opportunity pushed us towards a new territory on a grander scale, combining the Swarm technique with the power of an orchestra. Spitfire knows this approach well - we used this technique in our existing Swarm libraries. Session Horns is excellent for pop and jazz, and the flugelhorn is great (shame for being forced to.

#String swells with kontakt factory library pro#

Session Strings Pro are great for light and bright chamber strings, with a lot of articulations. A perfect soundtrack to epic, panoramic scenes, as featured in the groundbreaking television show. While Im not using the Kontakt Factory Library much (after having made good use of it for years), I heavily rely on the Komplete Ultimate Library. The effect is a granular 'cloud' of notes - beautiful, long sonic textures created from layers of micro-moments, to be used in place of more traditional long notes.

#String swells with kontakt factory library update#

Their concept was to record multiple players performing random short notes of the same pitch. Hey everyone, Were excited to announce that weve finally been able to update String Swells to include legato & rebowing control. Whilst a note will naturally re-trigger from the start, if you play it at the bow change (i.This library is an innovative collaboration with Bleeding Fingers ( Planet Earth II, Sons Of Liberty, Roman Empire: Reign Of Blood), who wanted to create this library to use for the BBC’s flagship series: Blue Planet II. Currently you can’t remove them or add more where they weren’t naturally performed. I wouldn’t say it’s a one-trick pony because there is so much that can be done in terms of orchestrating it using the mapping editor, combining different bar lengths for interesting performance textures, using the gater to create hybrid rhythmic passages and the designed patches for discovering more interesting colours, but it does solve a specific and common issue and isn’t your standard orchestral library.Īll 1/2 bar swells do not have bow changes, but all 1 - 4 bars do have bow changes. We wanted to embrace the natural performance of the players which is why we chose to include the bow changes - it’s something that for some reason seems to be overlooked in a lot of libraries, but essentially we wanted something that just sounds good out of the box, without having to mess around with dynamics/expression/attempting to fake a bow change where there isn’t one.

The goal of this library was to solve the problem many of us have when we’re trying to create a realistic-sounding performance out of sustained patches, which in general tend to sound a little lifeless and static.